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MARKETING · ECOMMERCE · BRANDING AGENCY — PADUA, ITALY, SINCE 2005

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60 years of manufacturing told beautifully at a trade fair. But online it looked like separate pieces.

MTT — Manifattura Tessile Toscana — has been a pillar of Florentine textiles since 1961: loden, Prato cloths, boiled wool, fashion lines. It could tell its story beautifully in person, but the site made history, collections and sustainability look like three disconnected things. We used the brand identity as infrastructure, not as decoration: the grammar of the mark first, then a bilingual B2B site where everything fits back together. Design becoming identity, before it becomes product.

MTT loden: the material everything starts from
MTT's “About us” page: “Tradition and Quality since 1961”

WHO MTT IS

Who MTT is.

Manifattura Tessile Toscana was founded in 1961 by Carlo Pacini and grew with a specialization in loden, going on to develop cloths, boiled wool and more fashion-oriented lines (structured plains and patterns). A solid reputation built on the quality of Made in Italy, a synthesis of craft and research. The model is typically B2B: credentials are required to reach the online catalog.

But there was a clear gap between the brand’s real value and its digital image: more than sixty years of history that online were not becoming a tool for international business.

The certifications put in hierarchy: Flax Fibre, Cardato Riciclato Pratese, BCI, Tencel, EcoVero, RAS, RWS

THE CHALLENGE

“At a trade fair we told our story well. Online we did not.”

The client’s sentence captures the problem: “online we could not convey the same solidity: history, collections and sustainability ended up looking like separate pieces.” The challenge was not a cosmetic restyling, but a reconfiguration of the identity: making a company with a long, technical history legible without reducing it to generic storytelling, and without complicating access for people looking for collections and certifications.

With two delicate knots: the controlled B2B access, which risked becoming a barrier (“if we ask for trust before giving it, we lose contacts”), and sustainability, an asset that becomes noise without hierarchy — because buyers and brands are not looking for the same thing.

The new “weave” mark built on a grid, in the brand identity manual

WHAT WE DID

The brand identity first, written down. Then the site.

We started from a scientific analysis based on Kapferer’s prism, to define the brand’s personality: modern, rooted in tradition, industrial. The rebrand led to a complete revision of the visual identity: a new logo born from a study of the weave — a pictogram that reworks the textile structure in its most essential form — and a precise visual grammar: loden green as the primary color, black and white for modern contrast, a defined typographic set.

That codification solves the typical problem of industrial brands: different materials that look as if different people made them. Online, consistency becomes perceived reliability — decisive for someone evaluating a supplier.

ADAM phase: Design

Brand identity (Kapferer’s prism)

Logo / palette / font system

Bilingual WordPress

The collections online and the “Request access” form for the reserved catalog

THE ARCHITECTURE

The catalog as a “second step”, not as a barrier.

The invitation to request credentials for the portal stayed, but we framed it with content that builds context and desire before the request. We made discovering the collections immediate (Cotton and Linen, Cloths and Loden, Plains and patterns, Boiled wools) and connected it to the company’s life — collaborations, trade fairs, updates — treated not as filler but as proof of presence in the market. And the certifications (GRS, RWS, BCI, TENCEL™, ECOVERO™, European Flax™) brought to the front in an ordered, readable, comparable frame.

So the user first understands who MTT is and what principles it follows, and then decides whether to open an operational relationship: the controlled access does not read as a closed door, but as coherent selection.

ADAM phase: Design + Measure

Architecture of “collections + relationship”

Lead management

Sustainability put in hierarchy

—
BUILT

WHAT WE BUILT

A mark that can be repeated, a site that proves it.

01

A codified brand identity

Logo, loden green palette, type: rules of use that make the mark repeatable and consistent.

02

A bilingual B2B site (IT/EN)

On WordPress, designed for foreign markets.

03

Collections to the front

Loden, boiled wool, fashion lines: immediate discovery, history as the key to reading them.

04

Legible sustainability

Certifications (GRS, RWS, ECOVERO™…) in hierarchy, not piled up.

05

Catalog access + lead management

Credentials as a coherent step; commercial contacts traceable.

→ THE PRINCIPLE

Consistency as infrastructure

When everything speaks the same language, the brand becomes reliable.

The mark's palette: loden green as the primary color

THE IDEA CARRIED ALL THE WAY

Fabric as a language.

What we are proudest of is not a screen, it is an idea carried all the way: MTT’s history should not become an “about us” page to scroll past, but a key for reading the collections — from loden to boiled wool through to the more fashion-oriented lines. A manufacturer that has reinvented itself several times without losing its specialization, and that had to be visible in the digital work.

When a site manages that, it does not only sell meters of fabric: it makes a way of working credible, and lets buyers and designers imagine a collaboration. And loden green, declared as the primary color, we treated as a signal — not greenwashing — leaving the certifications to carry the technical side.

—
THE RESULTS

CLARITY, NOT SLOGANS

The most honest metric: how well people understand you.

Identity

Recognizable and repeatable

no more “a different company depending on the channel”: site, documents and presentations finally consistent.

Sustainability

More legible

fewer generic enquiries, more specific questions about traceability, supply chain and applications.

The catalog

As a relationship

whoever asks for credentials does so because they have already understood the collections and the positioning.

Foreign markets

Ready

a bilingual platform supporting the sales team, at trade fairs too.

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